http://detenteapensar.tumblr.com/

vbhsfdjavgd: Why is this so cool?

Wed, 22 May 2013 22:55:32 -0400

vbhsfdjavgd:

Why is this so cool?

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Wed, 22 May 2013 22:55:11 -0400

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Wed, 22 May 2013 22:00:59 -0400

/

Wed, 22 May 2013 21:59:20 -0400

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Wed, 22 May 2013 21:55:38 -0400

senerii: Enchanted V by quiet nymphs on Flickr.

Wed, 22 May 2013 21:55:15 -0400

senerii:

Enchanted V by quiet nymphs on Flickr.

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Wed, 22 May 2013 21:55:08 -0400

wasted-crystals: brightmist: more like this...

Wed, 22 May 2013 21:55:01 -0400

wasted-crystals:

brightmist:

more like this here

wasted-crystals:

✝ soft grunge blog ✝

pleoros: Geiranger fjord and Eagle Road

Wed, 22 May 2013 21:54:53 -0400

pleoros:

Geiranger fjord and Eagle Road

south-england: Slanted Trees »» Thomas Hanks

Wed, 22 May 2013 21:52:50 -0400

south-england:

Slanted Trees »» Thomas Hanks

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Wed, 22 May 2013 21:43:00 -0400

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Wed, 22 May 2013 21:40:35 -0400

diegonavas: $_$

Wed, 22 May 2013 21:40:19 -0400

diegonavas:

$_$

south-england: Grey day »» Thomas Hanks

Wed, 22 May 2013 21:38:59 -0400

south-england:

Grey day »» Thomas Hanks

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Wed, 22 May 2013 21:38:52 -0400

Y en ese minuto te observe, como nunca había observado nada, intentando captar todos los detalles, cada milímetro de tu hermosa cara, cada espacio y cada punto, y no puedo evitar sonreír, porque me llenas de emociones, de esas cosquillas que no pensaba que existían.

Wed, 22 May 2013 21:23:47 -0400

tengo-cuerpo-de-aceituna: cortando-esperanza-s: miramesoloa-mi: dejen de rebloguear esta huea, lo...

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Wed, 22 May 2013 21:23:20 -0400

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Wed, 22 May 2013 19:50:38 -0400

likeafieldmouse: Christian Boltanski - Kaddish (published in...

Wed, 22 May 2013 19:35:56 -0400

likeafieldmouse:

Christian Boltanski - Kaddish (published in 1998) - Objects confiscated by Nazis, some found in sewers, deposited in the Central Jewish Museum, Prague

“The banal tenor and specificity of context in Boltanski’s still-lifes introduce an interesting dialogue as the tonality and depth, or lack thereof, in his photographs render what are reasonably delicate subjects, into mute and objectified echos from a nonspecific time or place. Boltanski’s infatuation with confiscated war relics, (post-) belongings and objet trouvé presented throughout his tetrad make reference to the anonymity and translucence of memory, the interstitial space between sentimentality and indifference, and ultimately focus on transience, singularity and, often forced, despondency.

Having absented himself from formal education in his preteens, Boltanski moved from rudimentary sculpture, drawing and painting to installations of pensive and introspective sculptural, filmic, and photographic works, questioning his own substance and significance in relation to memory, lineage and cultural praxis.

When Boltanski’s work seems to display a profound melancholy or contemplation on histories past, it is the artist who abruptly categorizes his works as quotidian debris, coincidence or ‘stupid’ objects – stating that that it is ‘simply much easier to be dead, than to be alive.’”

darksilenceinsuburbia: Zhang Huan. 1/2...

Wed, 22 May 2013 19:35:38 -0400

darksilenceinsuburbia:

Zhang Huan. 1/2 (meat), 1998.

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